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The collection of poems by Vladimir Vidrić, published by Matica Hrvatska in 1963, edited by Nada Pavičić-Spalatin, brings together the pinnacle of Croatian modern poetry.
The book was edited and the foreword was written by Nada Pavičić-Spalatin.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
A piano usually has 88 keys, 52 white and 36 black, from which 88 tones emerge. A pianist usually reads 88 notes. These 88 micro-proses simultaneously constitute one piano and one piano concerto.
The bilingual Hungarian-Croatian edition of the poem collection "Tiger" presents a selection from an extensive cycle of around 150–200 poems about the tiger - a symbol of strength, freedom, wilderness, the cosmos, the subconscious and the return to the pr
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.